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However, a weary Young saves most of his ire for disgraced president Richard Nixon, with the devastating condemnation: “I never knew a man could tell so many lies/ He had a different story for every set of lies”.Ģ) “Cinnamon Girl” – Everybody Knows This Is Nowhere, 1969 On this rambling acoustic masterpiece, Young reminisces about his early bands, aims pot shots at his critics and ruminates on changing times in Watergate-era America. Life there soon became a bore so I headed for the ditch.”ģ) “Ambulance Blues” – On the Beach, 1974 The success of this US No 1 single and its parent album Harvest led Young into resolutely uncommercial territory and inspired his famous quote: “‘Heart of Gold’ put me in the middle of the road.
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Crazy Horse are in full swing on this song of passion and longing, described best on Guitar Exchange website as “the song that opens with the second best solo in history, then Neil sings a little, and then plays the best solo of all time”.īoth a blessing and a curse for Young, but a standard all the same, “Heart of Gold” was so good it made Bob Dylan very jealous indeed. Yet another hypnotic guitar epic and live staple, “Like A Hurricane” is notable for one of the first examples of synthesiser on a Neil Young song. Sadly, the talented Whitten would soon die from an overdose on the same night that Young fired him from his touring band.Ħ) “Like A Hurricane” – American Stars ’n Bars, 1977 One of the greatest anti-drug songs was inspired by the heroin addiction of Crazy Horse’s Danny Whitten (the writer of “I Don’t Want To Talk About It”) and recorded live in concert for Harvest. For an even more definitive example of the song’s trance-like vibe, check out the astounding version on Live at the Fillmore.ħ) “The Needle and the Damage Done” – Harvest, 1972 Originally conceived on acoustic guitar, “Cowgirl in the Sand” soon morphed into an electronic tour de force featuring Young’s wonderful guitar interplay with Crazy Horse’s Danny Whitten. The 20 greatest live albums of all timeĨ) “Cowgirl in the Sand” – Everybody Knows This Is Nowhere, 1969.Regardless, it’s an exhilarating rocker that just gets better and better with age. That’s one interpretation anyway – the song’s meaning has long been the subject of debate.
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Haunting lyrics like, “I need a crowd of people, but I can’t face them day to day” lay bare Young’s disillusion with his Harvest-era superstardom.ġ2) “Powderfinger” – Rust Never Sleeps, 1979īoasting fantastic symmetry with Crazy Horse and told in the first person, “Powderfinger” is the moving and elegiac tale of a young man in the old west who dies protecting his family. Young’s beautifully understated guitar adds immeasurably to the introspective atmosphere of the extraordinarily bleak title track of the second part of his Ditch Trilogy. “Tired Eyes”, a condemnation of the drug culture, finds Young on the edge, his fractured vocal perfectly complemented by Ben Keith’s weeping pedal steel. 14) “Tired Eyes” – Tonight’s the Night, 1975īoth a cathartic exorcism of Young’s demons and a drunken wake for the friends he lost to drugs, Bruce Berry and Danny Whitten, the conclusion of Young’s Ditch Trilogy is also one of the most harrowingly beautiful albums ever made.